Compare the features of DaVinci Resolve 8.2!

DaVinci Resolve is the world's most advanced color correction solution. You get natural 32 bit float YRGB processing, power windows, tracking, primaries and secondary corrections, curve grading, RGB mixing, 3D object tracker, 3D stereoscopic eye matching, XML round tripping for NLE systems, noise reduction and much more!

DaVinci Resolve Linux	DaVinci Resolve	DaVinci Resolve Software	DaVinci Resolve Lite
$29,995 Inc. DaVinci Resolve	$29,995	$995	Free

	Real Time Performance
	Resolution independent real time in-context preview, playback and grading without disk cache.	Yes	Yes	Yes	Yes
	Real time multi-track timeline grading and playback.	Yes	Yes	Yes	Yes
	Real time extremely high quality sub pixel image resizing.	Yes	Yes	Yes	Yes
	Real time On-The-Fly extremely high quality proxy generation without disk cache.	Yes	Yes	Yes	Yes
	Real time noise reduction with window and grade qualification using CUDA GPUs.	Yes	Yes	Yes	No
	Real time concurrent left and right eye Stereoscopic 3D grading.	Yes	Yes	Yes	No
	Real time and interactive Stereoscopic 3D convergence adjustments.	Yes	Yes	Yes	No

	Automatic Processes for Speed and Accuracy
	Automatic grade to color balance clip.	Yes	Yes	Yes	Yes
	Automatic 3D object multi point tracker.	Yes	Yes	Yes	Yes
	Automatic clip stabilizer with camera pan smoothing.	Yes	Yes	Yes	Yes
	Automatic Stereoscopic 3D image alignment.	Yes	Yes	Yes	No
	Automatic Stereoscopic 3D color matching.	Yes	Yes	Yes	No
	Automatic re-linking of color corrections between all sessions in one project.	Yes	Yes	Yes	Yes
	Automatic conforming of XML, AAF and EDL with source clips.	Yes	Yes	Yes	Yes
	Automatic relinking of Red QT proxy with high res R3D clips.	Yes	Yes	Yes	Yes
	Automatic scene cut detection.	Yes	Yes	Yes	Yes

	Unlimited Creative Grading
	Unlimited video tracks.	Yes	Yes	Yes	Yes
	Unlimited nodes of color correction.	Yes	Yes	Yes	Yes
	Unlimited primaries and secondaries.	Yes	Yes	Yes	Yes
	Unlimited noise reduction node position using CUDA GPUs.	Yes	Yes	Yes	No
	Unlimited image gaussian blur.	Yes	Yes	Yes	Yes
	Unlimited windows - Circle, quad, polygon and PowerCurve free form with bezier curves.	Yes	Yes	Yes	Yes
	Unlimited Object Tracking for precise window and grade control.	Yes	Yes	Yes	Yes
	Unlimited matte and key defocus.	Yes	Yes	Yes	Yes

	Real Time HD-SDI Video Output to Grading Display
	Supports HD-SDI monitoring via UltraStudio 3D.	No	Yes	Yes	Yes
	2K 1080 - 8 and 10 bit YUV or RGB video monitoring.	Yes	Yes	Yes	No
	HD 1080 - 8, 10 and 12 bit YUV or RGB video monitoring.	Yes	Yes	Yes	Yes
	HD 720 - 8 and 10 bit RGB or YUV video monitoring.	Yes	Yes	Yes	Yes
	Standard Definition (NTSC/PAL) 8 and 10 bit RGB or YUV video monitoring.	Yes	Yes	Yes	Yes
	Legal scalled or full range output levels.	Yes	Yes	Yes	Yes
	Selectable application of 3:2 pulldown.	Yes	Yes	Yes	Yes
	Selectable XYZ color space for DCI compliant grading.	Yes	No	No	No

	System Scalability
	Scalable clustered GPU image processing for super computer performance.	Up to 16 GPUs	Up to 3 GPUs	Up to 3 GPUs	1 GPU
	Supports NVidia CUDA GPUs for performance grading.	Yes	Yes	Yes	Yes
	Supports on Mac OS X the ATI Radion GPUs using OpenCL for HD resolution grading.	No	Yes	Yes	Yes
	Single and Dual RED Rocket support.	Yes	Yes	Yes	1 Red Rocket
	Modular hardware configuration, upgradable as project demand requires.	Yes	Yes	Yes	Yes
	Scalable PCIe slots via Expander chassis.	Yes	Yes	Yes	Yes
	Scalable Linux computer systems using Infiniband.	Yes	No	No	No
	Supports Cubix and Cyclone Expanders for Mac and Linux.	Yes	Yes	Yes	Yes
	Scaleable hardware configurations for faster than real time renders.	Yes	Yes	Yes	Yes
	Second user interface monitor support for Waveforms.	Yes	Yes	Yes	Yes
New	User interface screen resolution support from 1680 x 1050 up to 2560 x 1440.	Yes	Yes	Yes	Yes

	Multiple Panel Support
	Fully supports DaVinci Resolve Control Surface.	Yes	Yes	Yes	No
	Supports Tangent Devices 'Wave', JL Cooper 'Eclipse' and Avid 'Artist Color' control panels.	No	Yes	Yes	Yes
	Supports mouse or tablet and pen operation.	Yes	Yes	Yes	Yes

	Colorist Inspired User Interface
	User interface is clean, pictorial, logical and easy to navigate.	Yes	Yes	Yes	Yes
	Graphical representations of every project, session, clip, grade, node and still are updated as you grade.	Yes	Yes	Yes	Yes
	All grading controls are on one screen so you can see at a glance the grade for every shot.	Yes	Yes	Yes	Yes
	Real time viewer display including cursors.	Yes	Yes	Yes	Yes
	Playback speed and real time playback indication.	Yes	Yes	Yes	Yes
	Node graph pictorial view of signal processing workflow.	Yes	Yes	Yes	Yes
	Stills, memories and PowerGrades shown visually and selectable with a mouse click.	Yes	Yes	Yes	Yes
	Stereoscopic side-by-side, checkerboard and anaglyth difference display.	Yes	Yes	Yes	No
	Dynamics, keyframes and transitions visually represented and independently adjustable.	Yes	Yes	Yes	Yes
	User selectable viewer, stills and node graph window sizing.	Yes	Yes	Yes	Yes
	User selectable multiple timecode, frame number and keycode displays.	Yes	Yes	Yes	Yes
	Status display on color screen for instant review.	Yes	Yes	Yes	Yes
New	Hover over node to reveal list of changed items.	Yes	Yes	Yes	Yes
New	Hover node over link to auto connect.	Yes	Yes	Yes	Yes

	Color Screen Multitrack Session Timeline
	Multitrack session timeline displayed including transition effects.	Yes	Yes	Yes	Yes
	Support for cuts, dissolves, wipes, speed changes and composite mix of tracks.	Yes	Yes	Yes	Yes
	Grades for all sessions automaticly link to the Master Timeline.	Yes	Yes	Yes	Yes
	Switch sessions and timeline updates instantly.	Yes	Yes	Yes	Yes
	Real time timeline synchronized frame indication during playback.	Yes	Yes	Yes	Yes
	Audio playback in color screen with display of audio waveform.	Yes	Yes	Yes	Yes
	Customisable loop mode for clips or marked timeline.	Yes	Yes	Yes	Yes
	User configurable cue offsets.	Yes	Yes	Yes	Yes

	Color Screen Clip Thumbnails
	Timeline thumbnails for every clip in the session.	Yes	Yes	Yes	Yes
	Thumbnails update with grade and playback.	Yes	Yes	Yes	Yes
	Select the thumbnail to select the clip regardless of track.	Yes	Yes	Yes	Yes
	Thumbnails displays clip timecode, number and track.	Yes	Yes	Yes	Yes
	Thumbnails also display object tracking, cache and stereo status.	Yes	Yes	Yes	Yes
	Switch between record and source mode with instant thumbnail update.	Yes	Yes	Yes	Yes
	Scrub thumbnails and monitor clip timecode.	Yes	Yes	Yes	Yes
New	HDR source icon in color page timeline thumbnails.	Yes	Yes	Yes	Yes

	Quality Image Processing
	Full 32 bit floating point image Processing.	Yes	Yes	Yes	Yes
	DaVinci YRGB Color Science.	Yes	Yes	Yes	Yes
New	ACES Colorspace support.	Yes	Yes	Yes	Yes
	Sub pixel optical quality image resizing.	Yes	Yes	Yes	Yes
	Grade flat gamma, linear and log images with equal precision.	Yes	Yes	Yes	Yes

	Real Time Noise Reduction
	Real time playback and grading with noise reduction using CUDA GPUs.	Yes	Yes	Yes	No
	Noise reduction can be used in any node in any position on the node graph.	Yes	Yes	Yes	No
	Noise reduction area can be qualified by HSL, windows and mattes.	Yes	Yes	Yes	No
	User definable noise reduction threshold.	Yes	Yes	Yes	No
	User definable noise reduction influence radius.	Yes	Yes	Yes	No
	User definable noise reduction blend of orginal and noise reduced image.	Yes	Yes	Yes	No
	Live display of noise reduction influence while adjusting.	Yes	Yes	Yes	No
	Noise reduction controls on panel and color user interface screen.	Yes	Yes	Yes	No

	Automatic Object Tracking
	Unlimited object tracking per clip.	Yes	Yes	Yes	Yes
	One click tracking for precise window and grade control.	Yes	Yes	Yes	Yes
	Track forward or reverse from any point in the clip.	Yes	Yes	Yes	Yes
	Re-track any portion of the clip.	Yes	Yes	Yes	Yes
	Show track and interactively edit track postion.	Yes	Yes	Yes	Yes
	Global and keyframe manual track editing.	Yes	Yes	Yes	Yes
	Manual insertion and removal of track points.	Yes	Yes	Yes	Yes
	Interpolation between track marks to close two tracks.	Yes	Yes	Yes	Yes
	Individual pan, tilt, zoom and rotation selections for track.	Yes	Yes	Yes	Yes
	Quick queue to start, end and limits of tracks.	Yes	Yes	Yes	Yes

	Automatic Image Stabilization
	One click stabilisation analysis of images.	Yes	Yes	Yes	Yes
	Analyse clips either forward or reverse.	Yes	Yes	Yes	Yes
	Real time playback after image analysis.	Yes	Yes	Yes	Yes
	User variable frame smoothing for camera pans.	Yes	Yes	Yes	Yes
	Selectable automatic image zoom to full screen.	Yes	Yes	Yes	Yes

	High Dynamic Range Grading
	Use HDR source images for real time display, blending and grade.	Yes	Yes	Yes	Yes
New	Supports 16bit floating point ACES Colorspace input and output.	Yes	Yes	Yes	Yes
	32 bit floating point image processing maintains all the quality and dynamic range.	Yes	Yes	Yes	Yes
	Normal exposure image can be blended and mixed with the short exposure image.	Yes	Yes	Yes	Yes
	Dynamic control of blend between HDRs two source images.	Yes	Yes	Yes	Yes
	Keyframe control of dynamics for smooth transition.	Yes	Yes	Yes	Yes
	Windows and qualification can also used to control blend.	Yes	Yes	Yes	Yes

	Primary Grading
	Unlimited primary and printer light grading.	Yes	Yes	Yes	Yes
	AutoGrade and auto white and black balance.	Yes	Yes	Yes	Yes
	Lift, gamma and gain adjustments with offset.	Yes	Yes	Yes	Yes
	Independent saturation and hue controls.	Yes	Yes	Yes	Yes
	Unique luminance mix control.	Yes	Yes	Yes	Yes
	Real time full Gaussian blur on unlimited nodes.	Yes	Yes	Yes	Yes
	Printer light incremental offset controls for log grading steps.	Yes	Yes	Yes	Yes
	Calibration control of printer lights to match film lab aim densities.	Yes	Yes	Yes	Yes

	RGB Mixer Grading
	RGB mixer grading with monochrome effects.	Yes	Yes	Yes	Yes
	Individual red, green and blue gain for each color channel.	Yes	Yes	Yes	Yes
	Separate red, green and blue control for monochrome mix.	Yes	Yes	Yes	Yes
	User selectable preserve luminance option to normalize lum output.	Yes	Yes	Yes	Yes
	User selectable swap input selection for extreme effects.	Yes	Yes	Yes	Yes

	Custom Curves Grading
	Custom Curves™ with user definable gamma curve.	Yes	Yes	Yes	Yes
	Ganged and individual channel control.	Yes	Yes	Yes	Yes
	Ganged and individual gain control.	Yes	Yes	Yes	Yes
	Ganged and individual influence control.	Yes	Yes	Yes	Yes
	YSFX luminance and saturation effects.	Yes	Yes	Yes	Yes

	Curves Clip Grading
	High and low clip control on a per node basis.	Yes	Yes	Yes	Yes
	Ganged and individual channel control.	Yes	Yes	Yes	Yes
	Independent and ganged high clip softness.	Yes	Yes	Yes	Yes
	Independent and ganged low clip softness.	Yes	Yes	Yes	Yes

	Secondary Grading
	Unlimited secondaries grading.	Yes	Yes	Yes	Yes
	User definable hue, saturation, luminance (HSL), RGB and LUM only qualifiers.	Yes	Yes	Yes	Yes
	Qualifier softness, slope, width and symmetry control form every secondary.	Yes	Yes	Yes	Yes
	Sat high and low qualifier with low and high softness.	Yes	Yes	Yes	Yes
	Lum high and low qualifier with low and high softness.	Yes	Yes	Yes	Yes
	Grey or black and white highlight control to quickly see qualification.	Yes	Yes	Yes	Yes
	Grading screen or user interface color picker with automatic range control.	Yes	Yes	Yes	Yes
	Add or subtract selected points with variable softness.	Yes	Yes	Yes	Yes
	Shrink and grow qualifiers for super clean keys.	Yes	Yes	Yes	Yes

	Curves Grading
	Unlimited Curves grading with HSL curves and qualification control.	Yes	Yes	Yes	Yes
	Select from; Hue vs. Hue; Hue vs. Sat; Hue vs. Lum and Lum vs. Sat curves.	Yes	Yes	Yes	Yes
	Parallel mixing of separate curves grades permits concurrent use.	Yes	Yes	Yes	Yes
	Select manually or use the six vector selection with a mouse click.	Yes	Yes	Yes	Yes
	Hue and lum selection also available with screen color picker.	Yes	Yes	Yes	Yes
	Bezier control of all curves grades.	Yes	Yes	Yes	Yes
	Curves grade controls from user interface or DaVinci Resolve Control Surface.	Yes	Yes	Yes	User Interface Only
	Addition or deletion of control points added by panel and mouse.	Yes	Yes	Yes	Yes

	Power Windows
	Unlimited circle, linear, polygon and PowerCurve windows.	Yes	Yes	Yes	Yes
	All windows provide matte or mask control.	Yes	Yes	Yes	Yes
	All windows provide inside or outside grading control.	Yes	Yes	Yes	Yes
	Circular windows with variable softness and aspect.	Yes	Yes	Yes	Yes
	Linear windows with independent edge softness.	Yes	Yes	Yes	Yes
	Polygon windows with variable inside and outside softness.	Yes	Yes	Yes	Yes
	PowerCurve free form windows with bezier curves.	Yes	Yes	Yes	Yes
	PowerCurve windows include independent inside and outside per point softness.	Yes	Yes	Yes	Yes
	All window have position and rotation controls.	Yes	Yes	Yes	Yes
	Every node can include one of each window type.	Yes	Yes	Yes	Yes
	Use matte and mask to combine multiple windows in one node.	Yes	Yes	Yes	Yes
	Power Window size and position tracks image sizing changes.	Yes	Yes	Yes	Yes

	Blur, Sharpen and Mist
	Unlimited image gaussian blur.	Yes	Yes	Yes	Yes
	Image sharpening.	Yes	Yes	Yes	Yes
	Mist and Coring for professional mist effect.	Yes	Yes	Yes	Yes
	Ganged or individual control of radius.	Yes	Yes	Yes	Yes
	Ganged or individual control of H/V ratio.	Yes	Yes	Yes	Yes
	Ganged or individual control of scaling for sharpening and mist.	Yes	Yes	Yes	Yes

	Internal and External Key/Matte
	Input, output and external key gain and offset control.	Yes	Yes	Yes	Yes
	Post mix gain and offset control for blending images.	Yes	Yes	Yes	Yes
	Use key mixers to combine multiple qualifiers in one grading node.	Yes	Yes	Yes	Yes
	User re-linkable image and key path for each node.	Yes	Yes	Yes	Yes
	Selectable invert, matte and mask modes.	Yes	Yes	Yes	Yes
	External key radius blur and offset.	Yes	Yes	Yes	Yes
	Composite of chroma key live foreground over reference image.	Yes	Yes	Yes	Yes

	Fully Nodal Processing Architecture
	Full node based control for all image processing.	Yes	Yes	Yes	Yes
	Unlimited corrector nodes per clip.	Yes	Yes	Yes	Yes
	Serial and parallel image path with complete user control.	Yes	Yes	Yes	Yes
	Unlimited parallel mixer, layer mixer, key mixer and matte nodes.	Yes	Yes	Yes	Yes
New	Layer node composite effects.	Yes	Yes	Yes	Yes
	Drag and drop corrections from one node to another.	Yes	Yes	Yes	Yes
	Drag and drop corrections from one still or clip to another.	Yes	Yes	Yes	Yes
	Drag and drop to append nodes.	Yes	Yes	Yes	Yes
	Unlimited undo and redo.	Yes	Yes	Yes	Yes
	Append grades, stills and memories to existing node graph.	Yes	Yes	Yes	Yes
	Insert new node prior to current on existing node graph.	Yes	Yes	Yes	Yes
	Append node and automaticaly ripple grade.	Yes	Yes	Yes	Yes
	Enable and disable all or current node.	Yes	Yes	Yes	Yes
	Drag stills and memories grades to any position within the node graph.	Yes	Yes	Yes	Yes
	User selectable first and second node copy and paste protection.	Yes	Yes	Yes	Yes
	User selectable PTZR, Arri and RED decoder copy and paste protection.	Yes	Yes	Yes	Yes

	Clip Version Grading
	Unlimited graded versions per clip.	Yes	Yes	Yes	Yes
	Name versions and copy grades to other clips.	Yes	Yes	Yes	Yes
	Select version control for render.	Yes	Yes	Yes	Yes
	Automatic mulitple version management during render.	Yes	Yes	Yes	Yes

	Clip Group Grading
	Unlimited grouping of clips for grading.	Yes	Yes	Yes	Yes
	Grade all shots in any group.	Yes	Yes	Yes	Yes
	Add and remove single shots from group.	Yes	Yes	Yes	Yes
	User defined naming of groups.	Yes	Yes	Yes	Yes

	Dynamic Timeline
	Color corrections, PTZR and transitions displayed on separate dynamic timeline.	Yes	Yes	Yes	Yes
	Dedicated Track layer for downstream grading of complete timeline.	Yes	Yes	Yes	Yes
	Every grading parameter is key-framable with adjustable dynamics.	Yes	Yes	Yes	Yes
	Unmix multiple track composite viewer to see individual clips.	Yes	Yes	Yes	Yes
	Unmix pre-conformed dissolves to grade either side of the effect.	Yes	Yes	Yes	Yes
	Display of all dynamics on clip, track or unmix timeline.	Yes	Yes	Yes	Yes
	User configurable dynamic profile for non-linear interpolation between keyframes.	Yes	Yes	Yes	Yes
	Panel and mouse control to add, trim and delete dynamics on clip, track or unmix timeline.	Yes	Yes	Yes	Yes
	Auto keyframe, parameter lock and channel activation for selective control.	Yes	Yes	Yes	Yes

	Arri Alexa Grading
	Real time high quality GPU debayering.	Yes	Yes	Yes	Yes
	Real time decoding and playback of Alexa RAW clips.	Yes	Yes	Yes	Yes
	Supports Alexa v3 color science.	Yes	Yes	Yes	Yes
	Automatic application of Arri LUTs.	Yes	Yes	Yes	Yes
	User selectable ISO and color temperature.	Yes	Yes	Yes	Yes

	Red R3D Grading
	Real time decoding and playback of R3D clips.	Yes	Yes	Yes	Yes
	User selectable decode controls per project and per clip.	Yes	Yes	Yes	Yes
	Use R3D camera metadata or individual clip decoder controls.	Yes	Yes	Yes	Yes
	Supports HDRx, REDcolor2, REDGamma2 and v2 color science.	Yes	Yes	Yes	Yes
	Individual DaVinci Resolve Control Surface controls for all parameters.	Yes	Yes	No	No
	Gang, adjust and apply one or multiple decode parameters.	Yes	Yes	Yes	Yes
	Copy one or multiple decode parameters to other clips.	Yes	Yes	Yes	Yes
	Grade with lower resolution for real time and render at full res.	Yes	Yes	Yes	Yes
	R3D metadata saved with stills.	Yes	Yes	Yes	Yes

	Playhead Grading
	User selectable playback and grading of multiple clips.	Yes	Yes	Yes	Yes
	Grade one clip and automatically apply grade to other playheads.	Yes	Yes	Yes	Yes
	Simultaneous control of up to four playheads.	Yes	Yes	Yes	Yes

	Optical Quality Image Formating and Resizing
	Real time and live resizing including pan, tilt, zoom and rotate all at optical quality.	Yes	Yes	Yes	Yes
	Real time and live width and height trimming.	Yes	Yes	Yes	Yes
	Real time pixel aspect ratio resizing.	Yes	Yes	Yes	Yes
	Real time and live pitch and yaw for keystone adjustments.	Yes	Yes	Yes	Yes
	User selectable filter type for resizing.	Yes	Yes	Yes	Yes
	Interlaced video support.	Yes	Yes	Yes	Yes
	Automatic input image reformatting to timeline resolution and image size.	Yes	Yes	Yes	Yes
	User programable input and output image transform presets.	Yes	Yes	Yes	Yes

	Real Time Mixed Image and File Support
	Supports mix of image formats and resolutions on the same timeline at the same time.	Yes	Yes	Yes	Yes
	Automatic optical quality input image reformatting to timeline resolution and image size in real time.	Yes	Yes	Yes	Yes
	Supports mixed pixel aspect ratio on the same timeline at the same time.	Yes	Yes	Yes	Yes
New	Clip based Auto, Video or Data level selection.	Yes	Yes	Yes	Yes
	Change pixel aspect ratio for multiple clips.	Yes	Yes	Yes	Yes
	Supports real time Cinemascope conversion/monitoring/grading.	Yes	Yes	Yes	Yes

	Real Time Project Power Mastering
	Direct master to deck in HD or SD from timeline without rendering.	Yes	Yes	Yes	No
	4k or 2k to HD or SD and HD to SD output to VTR in real time without rendering. (subject to hardware configuration)	Yes	Yes	Yes	No
	Power Master source or record timelines with user defined handles.	Yes	Yes	Yes	No
	Power Master Stereoscopic 3D projects to tape without rendering.	Yes	Yes	Yes	No
	Power Master with programable clip pan and scan.	Yes	Yes	Yes	No
	Power Master with definable output formatting inc masks/blanking.	Yes	Yes	Yes	No
	Includes user-definable slate key over image inc file name, timecodes, image path etc.	Yes	Yes	Yes	No

	Multitrack XML Support
	Multiple track Final Cut Pro™ 7 XML timeline support.	Yes	Yes	Yes	Yes
	Supports Final Cut Pro™ 7 XML v5 import and export.	Yes	Yes	Yes	Yes
	Includes the automatic setting of Resolves timeline resolution and frame rate.	Yes	Yes	Yes	Yes
	Also allows one click importing and linking of source clips.	Yes	Yes	Yes	Yes
	Supports relinking events and clips when reimporting a changed Final Cut Pro™ 7 edit via XML.	Yes	Yes	Yes	Yes
	Supports cuts, cross dissolves and opacity.	Yes	Yes	Yes	Yes
New	Supports Final Cut Pro 7 XML clip by clip selectable import of image sizing data.	Yes	Yes	Yes	Yes
	Supports the following FCP7 effects: cross, diamond and oval iris; centre, clock, edge and venetian blind wipe.	Yes	Yes	Yes	Yes
	Supports wipe borders with softness.	Yes	Yes	Yes	Yes
	Supports the following FCP7 composite modes: Add, subtract, difference, multiply, screen, overlay, darken and lighten.	Yes	Yes	Yes	Yes
	Supports Final Cut Pro™ XML export including file location metadata.	Yes	Yes	Yes	Yes
New	Supports Final Cut Pro™ X XML round trip.	Yes	Yes	Yes	Yes
New	Supports cuts, dissolves and speed changed events.	Yes	Yes	Yes	Yes
New	Ignore file extension option when conforming using XML.	Yes	Yes	Yes	Yes

	Multitrack AVID AAF Support
New	Includes Avid AAF export for simplified AMA round trip with handles.	Yes	Yes	Yes	Yes
New	Avid AAF import support for cuts, dissolves, speed changes, dip to color.	Yes	Yes	Yes	Yes
New	Avid AAF import support for edge wipe with border, center wipe with border, clock and venetian blind wipe, cross, oval and diamond iris wipe.	Yes	Yes	Yes	Yes
New	Avid AAF import support for sizing effect with PTZR and overlay composite.	Yes	Yes	Yes	Yes
New	Ignore file extension option when conforming using AAF.	Yes	Yes	Yes	Yes

	Editing
	Pictorial based multi track editing.	Yes	Yes	Yes	Yes
	Preview composite of all tracks in real time.	Yes	Yes	Yes	Yes
	Supports drag and drop editing on and between tracks.	Yes	Yes	Yes	Yes
	Mark in and mark out of source clip.	Yes	Yes	Yes	Yes
	Insert source clip to any track.	Yes	Yes	Yes	Yes
	Add or delete; clips, cuts, dissolves or speed changes.	Yes	Yes	Yes	Yes
	Supports slip, slide, roll and ripple.	Yes	Yes	Yes	Yes
	Supports two and three point editing.	Yes	Yes	Yes	Yes
	Add and delete tracks.	Yes	Yes	Yes	Yes
	User selectable lock for tracks and clips.	Yes	Yes	Yes	Yes
	Undo and redo edits with history display.	Yes	Yes	Yes	Yes

	Timeline Conform Toolset
	Conform clips using multiple layer XML, AAF or EDL metadata.	Yes	Yes	Yes	Yes
	Use timecode embedded in the source clip or clip frame count.	Yes	Yes	Yes	Yes
	Conform partial clips with black gaps.	Yes	Yes	Yes	Yes
	Assist conform with reel numbers from user defined clip file path.	Yes	Yes	Yes	Yes
	Assist conform with underscore reel numbers from r3d files.	Yes	Yes	Yes	Yes
	Assist conform with reel numbers from the media pool folder or source embedding.	Yes	Yes	Yes	Yes
	Manual and automatic force conform to specific clip.	Yes	Yes	Yes	Yes
	Conform with user defined reel names in media pool.	Yes	Yes	Yes	Yes
	Re-conform from folders to add or remove clips.	Yes	Yes	Yes	Yes
	Generate new session with or without user defined handles.	Yes	Yes	Yes	Yes
	Automatic frame syncing between switched sessions.	Yes	Yes	Yes	Yes
	Supports drop frame timecode.	Yes	Yes	Yes	Yes
New	Copy and paste clip keyboard shortcuts in conform timeline.	Yes	Yes	Yes	Yes
New	Display source timecode option in conform timeline viewer.	Yes	Yes	Yes	Yes

	Conform Verification
	Automatic XML, AAF and EDL conforming of online clips.	Yes	Yes	Yes	Yes
	Synchronized playback of online and offline images to check conform.	Yes	Yes	Yes	Yes
	Conform EDL highlights current clip on current track.	Yes	Yes	Yes	Yes
	Automatic media pool clip sync.	Yes	Yes	Yes	Yes
	Supports multiple offline clips with individual timecode offset.	Yes	Yes	Yes	Yes
	User selectable offline image shine through for missing conform clips.	Yes	Yes	Yes	Yes
	User selectable automatic EDL hole replacement with black clip.	Yes	Yes	Yes	Yes
	Offline and online image sync on color and conform screen.	Yes	Yes	Yes	Yes
	Auto location of clips in the Media Pool to find missing clips.	Yes	Yes	Yes	Yes

	EDL Support
	Supports industry standard CMX3600 EDLs with cuts, cross dissolves and speed changes.	Yes	Yes	Yes	Yes
	Load multiple EDLs and offline video to conform, edit, and display in sync with online image.	Yes	Yes	Yes	Yes
	Automatically conforms source images to EDL.	Yes	Yes	Yes	Yes
	Conform from timecode in header, reel number and file path.	Yes	Yes	Yes	Yes
	Conform partial clips.	Yes	Yes	Yes	Yes
	Supports FCP, Avid and Discreet EDLs with long reel names for conforming and selects grade.	Yes	Yes	Yes	Yes
	Conform native RED R3D files using absolute or time of day code.	Yes	Yes	Yes	Yes
	Conform and auto load source clips to Media Pool.	Yes	Yes	Yes	Yes
	Import pre-conformed clips and auto match grades.	Yes	Yes	Yes	Yes
	Source and record mode for pre-conformed projects.	Yes	Yes	Yes	Yes
	Single and multiple clip reel name editing.	Yes	Yes	Yes	Yes
	Import and Export SMPTE standard EDLs.	Yes	Yes	Yes	Yes
New	Load EDL to new track in existing session.	Yes	Yes	Yes	Yes
New	Export EDL of missing clips.	Yes	Yes	Yes	Yes

	CDL Support
	Import and export of ASC color decision list.	Yes	Yes	Yes	Yes
	Supports full slope, offset and power specifications.	Yes	Yes	Yes	Yes
	Supports additional saturation metadata.	Yes	Yes	Yes	Yes
	CDL events syncronised with EDL events.	Yes	Yes	Yes	Yes
	Also supports stereoscopic 3D sizing metadata.	Yes	Yes	Yes	No

	Automatic Scene Cut Detection
	Automatically detects scene cuts 5X faster than real time.	Yes	Yes	Yes	Yes
	Visual display of the last frame of scene next to first and second frame of the next scene.	Yes	Yes	Yes	Yes
	Autocue display of all cuts as detected in real time.	Yes	Yes	Yes	Yes
	Includes user variable pre, during and post detection threshold.	Yes	Yes	Yes	Yes
	Automatically split a single clip into subclips within the media pool.	Yes	Yes	Yes	Yes
	Includes scene cut add and delete.	Yes	Yes	Yes	Yes
	Includes prune within marked in and out range.	Yes	Yes	Yes	Yes
	Generate an EDL or pull list from the scene detector.	Yes	Yes	Yes	Yes
	Load a previously generated EDL or pull list.	Yes	Yes	Yes	Yes

	Audio Playback Support
	Playback AIFF or WAV audio files with timeline.	Yes	Yes	Yes	Yes
	Import, play and export up to 16 channels of audio.	Yes	Yes	Yes	Yes
	Supports 48Khz audio sampling precision.	Yes	Yes	Yes	Yes
	Click and slip sync mouse control with visual display of audio waveform.	Yes	Yes	Yes	Yes
	Supports sub sample audio sync control.	Yes	Yes	Yes	Yes
	Supports LTC timecode chase for external audio decks.	Yes	Yes	Yes	Yes

	External Matte Support
	Support for external RGB and single channel mattes.	Yes	Yes	Yes	Yes
	Multiple matte support for every node graph.	Yes	Yes	Yes	Yes
	User controllable matte mixing and blur.	Yes	Yes	Yes	Yes
	Spatial and temporal alignment control of external mattes.	Yes	Yes	Yes	Yes
	External matte support for track grade.	Yes	Yes	Yes	Yes
	External matte sizing lock to source image.	Yes	Yes	Yes	Yes

	1D and 3D LUT Support
	Open standard .cube LUT support.	Yes	Yes	Yes	Yes
	Real time 3D or 1D LUT application to images.	Yes	Yes	Yes	Yes
New	Shaper LUT support.	Yes	Yes	Yes	Yes
	3D or 1D LUTs at input, output and display.	Yes	Yes	Yes	Yes
	3D or 1D LUTs for every node.	Yes	Yes	Yes	Yes
	Capture external 3D LUTs.	Yes	Yes	Yes	Yes
	Generate 3D LUT from current grade.	Yes	Yes	Yes	Yes
	LUT soft clip controls and video level soft clippers.	Yes	Yes	Yes	Yes
	User selectable LUT on or not on waveform.	Yes	Yes	Yes	Yes

	Copy Grades Between Clips
	Middle mouse click copy of grade to current clip.	Yes	Yes	Yes	Yes
	Copy grades to any clip number.	Yes	Yes	Yes	Yes
	Copy grades to any range of clips.	Yes	Yes	Yes	Yes
	Drag and drop nodes from stills to node graph.	Yes	Yes	Yes	Yes
	Apply or append still or memory node graph to new clip.	Yes	Yes	Yes	Yes
New	Copy and paste node metadata between nodes including dynamics.	Yes	Yes	Yes	Yes

	Ripple Grades Between Clips
	Ripple exact grade change to new clips.	Yes	Yes	Yes	Yes
	Ripple percentage value change to new clips.	Yes	Yes	Yes	Yes
	Ripple unit value change to new clips.	Yes	Yes	Yes	Yes
	Ripple all values to new clips.	Yes	Yes	Yes	Yes

	Copy Grades Between Sessions
	Automatic color correction linking with new EDL changes using source timecode.	Yes	Yes	Yes	Yes
	Automatic color correction linking for new versions.	Yes	Yes	Yes	Yes
	Corrections are automatically applied to replacement source clips.	Yes	Yes	Yes	Yes

	Colortrace Grades
	Automatic colortrace corrections from one session to another session based on source clip timecode.	Yes	Yes	Yes	Yes
	Manual colortrace corrections for clips with different timecode.	Yes	Yes	Yes	Yes
	Automatic multi-project Colortrace to transfer digital dailies grades.	Yes	Yes	Yes	Yes

	Batch Link Grades
	User selectable link or batch unlink clips for grading.	Yes	Yes	Yes	Yes
	Batch copy linked grades.	Yes	Yes	Yes	Yes
	Batch unlink from default grades.	Yes	Yes	Yes	Yes

	Scroll Timeline
	Scroll along timeline to view and copy grades.	Yes	Yes	Yes	Yes
	Instant review of new grade on current clip.	Yes	Yes	Yes	Yes
	One click selection of new grade or exit without copy and paste.	Yes	Yes	Yes	Yes

	Render Cache Clips
	User selectable manual or automatic render cache of clips.	Yes	Yes	Yes	Yes
	Individual clips can be marked ready to start cache.	Yes	Yes	Yes	Yes
	Selectable automatic cache of dissolves.	Yes	Yes	Yes	Yes
	Selectable automatic cache of all clips.	Yes	Yes	Yes	Yes
	Render cache starts from current frame on current clip.	Yes	Yes	Yes	Yes
	All Render cache operations are in the background.	Yes	Yes	Yes	Yes

	Dirt and Dust Correction
	Click and drag dirt and dust correction for DPX images.	Yes	Yes	Yes	Yes
	User selectable temporal or spacial correction.	Yes	Yes	Yes	Yes
	User selectable correction aggression and blend.	Yes	Yes	Yes	Yes
	User selectable region of interest and clean size.	Yes	Yes	Yes	Yes

	Stereoscopic 3D Grading
	Real time grading of Stereoscopic 3D timelines with concurrent left and right eye grading.	Yes	Yes	Yes	No
	Auto color match grade between eyes using primary or curves match.	Yes	Yes	Yes	No
	Copy left to right eye, or right to left or grade both simultaneously in real time.	Yes	Yes	Yes	No
	Delta between eyes can be preserved or graded out per clip, reel or camera.	Yes	Yes	Yes	No
	Apply grade ripple to both eyes.	Yes	Yes	Yes	No
	Optional preservation of convergence data when copying grades.	Yes	Yes	Yes	No
	Stereo still wipe with invert option.	Yes	Yes	Yes	No
	Apply ColorTrace to copy grades from other projects to both eyes.	Yes	Yes	Yes	No
	Save stereoscopic 3D stills with grades for each eye.	Yes	Yes	Yes	No
	Timeline thumbnails display current eye with source image status.	Yes	Yes	Yes	No

	Stereoscopic 3D Image Alignment
	Automatic multipoint Stereoscopic 3D image alignment to correct camera rig errors.	Yes	Yes	Yes	No
	Analyse one, all, or a selection of clips for auto alignement.	Yes	Yes	Yes	No
	Real time and interactive Stereoscopic 3D convergence adjustments.	Yes	Yes	Yes	No
	User selectable auto zoom with convergence.	Yes	Yes	Yes	No
	Protected convergence settings when coping grades.	Yes	Yes	Yes	No
	Pitch and Yaw controls for keystone correction.	Yes	Yes	Yes	No

	Stereoscopic 3D Monitoring
	Real time concurrent display of Stereoscopic 3D timelines.	Yes	Yes	Yes	No
	Display either eye or stereoscopic with a mouse click.	Yes	Yes	Yes	No
	User interface display of side-by-side, line-by-line, checkerboard, Anaglyph B&W or color difference.	Yes	Yes	Yes	No
	User selectable checkerboard size.	Yes	Yes	Yes	No
	Swap monitoring eye image control.	Yes	Yes	Yes	No
	Optional stereo wipe for waveform and DVI monitor output.	Yes	Yes	Yes	No
	Real time and separate HD-SDI RGB 10 bit output of each eye.	Yes	No	No	No
	Meshed HD-SDI output of stereoscopic images.	Yes	Yes	Yes	No
	Composite - Framelock sync option for Nvidia SDI.	Yes	No	No	No
	Full YUV 10 bit HD resolution left and right eye playback on DeckLink HD Extreme 3D.	Yes	Yes	Yes	No

	Stereoscopic 3D Workflow
	Real time dual eye ingest and playout to tape.	Yes	Yes	Yes	No
	Slip one eye timecode sync in reference to the other.	Yes	Yes	Yes	No
	Automatic image H Flip and V Flip from camera metadata.	Yes	Yes	Yes	No
	One click generation of Stereoscopic 3D EDL.	Yes	Yes	Yes	No
	Stereoscopic 3D side-by-side and line-by-line render option.	Yes	Yes	Yes	No
	Swap source eye image control.	Yes	Yes	Yes	No
	Stereoscopic 3D Editing for both eyes.	Yes	Yes	Yes	No
	Start with a 2D project and convert to 3D by Color-tracing grades to the other eye.	Yes	Yes	Yes	No
	Start with a 3D project and render 2D version from either eye.	Yes	Yes	Yes	No

	Gallery to Save and Manage Stills
	Resolution independent still store image gallery.	Yes	Yes	Yes	Yes
	PowerGrade stills library for each user to share stills between projects.	Yes	Yes	Yes	Yes
New	PowerGrade library of premade effects.	Yes	Yes	Yes	Yes
	One click to capture still.	Yes	Yes	Yes	Yes
	All stills store the grade node map for simplified re-grades.	Yes	Yes	Yes	Yes
	Display node map for one click, drag and drop grading.	Yes	Yes	Yes	Yes
	Name and search stills.	Yes	Yes	Yes	Yes
	Stills display filter for current or all sessions.	Yes	Yes	Yes	Yes
	Force just one still for each scene.	Yes	Yes	Yes	Yes
	Auto capture of still from all clips.	Yes	Yes	Yes	Yes
	Grab all stills from first or middle frame.	Yes	Yes	Yes	Yes
	Drag and drop stills between pages, memories and PowerGrades.	Yes	Yes	Yes	Yes
	Sort stills by record and source timecode, or grab and also clip and creation time.	Yes	Yes	Yes	Yes
	User selecatable automatic still and timeline trace.	Yes	Yes	Yes	Yes
	Import stills from other project databases.	Yes	Yes	Yes	Yes
	Import and convert stills from other devices across the network.	Yes	Yes	Yes	Yes
	Export stills in different formats for use offline.	Yes	Yes	Yes	Yes
	Add pages to build your own library, storyboard or special effects store.	Yes	Yes	Yes	Yes
	Export and import stills with DaVinci Resolve eXchange, DRX, color correction metadata.	Yes	Yes	Yes	Yes

	Playback of Stills and Memories for Color Grade Reference
	One click to compare to online clip.	Yes	Yes	Yes	Yes
	One click to wipe to online or offline clip.	Yes	Yes	Yes	Yes
	One click to compare with wipe to any other clip on timeline.	Yes	Yes	Yes	Yes
	View still with image with horizontal or vertical wipe.	Yes	Yes	Yes	Yes
	Flip, pan and zoom still images for image comparison.	Yes	Yes	Yes	Yes

	Native File Formats Supported
	Native ProRes read and write support on Mac OS X platform.	No	Yes	Yes	Yes
	H.264, Uncompressed RGB and YUV QuickTime.	Yes	Yes	Yes	Yes
	Uncompressed YUV MXF 8 and 10 bit.	Yes	Yes	Yes	Yes
	DPX, Cineon and TIFF.	Yes	Yes	Yes	Yes
	Compressed and uncompressed OpenEXR.	Yes	Yes	Yes	Yes
	MPEG4 Video, Sony SStP MPEG4 and Sony XDCAM (QT).	Yes	Yes	Yes	Yes
	JPEG, HDV, DVCPRO, DVCPROHD and DV.	Yes	Yes	Yes	Yes
	Avid DNxHD file format support.	Yes	Yes	Yes	Yes
	Format conversion for non native files to DPX from: JPEG, XPM, PPM and BMP.	Yes	Yes	Yes	Yes

	Camera Codec Support
	Alexa ARRI RAW and D21 ARRI RAW; .ari files including v3 color science.	Yes	Yes	Yes	Yes
	Vision Research, Phantom; .cine files.	Yes	Yes	Yes	Yes
	SI-2K; Cineform QT files.	Yes	Yes	Yes	Yes
	Cineform; QT files.	Yes	Yes	Yes	Yes
	Cineform stereo; QT files.	Yes	Yes	Yes	No
	RED One; R3D files including RED color2 and REDgamma2 with real time full premium de-bayer.	Yes	Yes	Yes	Yes
	RED EPIC; R3D files including 5K and HDRx.	Yes	Yes	Yes	Yes
	Ikonoskope; CinemaDNG files.	Yes	Yes	Yes	Yes
	Canon 5D and 7D; H.264 files.	Yes	Yes	Yes	Yes
	Image decoder settings use camera files metadata.	Yes	Yes	Yes	Yes

	Project Grading Flexibility and Relinking
	All grading metadata is linked to source clips so you can grade multiple EDLs at the same time.	Yes	Yes	Yes	Yes
	Grade the same project on multiple systems from the same source material and metadata.	Yes	Yes	Yes	Yes
	Project data can be moved from MacBook Pro, to MacPro to Linux and back for session flexibility.	Yes	Yes	Yes	Yes
	Start on-set with dailies or preview grades, move them to the studio for finishing.	Yes	Yes	Yes	Yes
	Grade clips in timeline even with missing clips, insert them anytime without loss of work.	Yes	Yes	Yes	Yes
	Grade in real time on the clustered GPU systems then save project to render on low cost system.	Yes	Yes	Yes	1 GPU

	Remote Grading
	Remote grading of projects between systems with a low bandwidth internet connection.	Yes	Yes	Yes	No
	Connect Mac to Mac or Mac to Linux with the same software version.	Yes	Yes	Yes	No
	Use high resolution images at the master and proxy at the slave.	Yes	Yes	Yes	No
	Full remote grading control including grab/select/delete stills and hide/show window cursors.	Yes	Yes	Yes	No

	Media Storage Flexibility
	Supports Mac OS Extended file system.	Yes	Yes	Yes	Yes
	Supports Quantum StorNext file system.	Yes	Yes	Yes	Yes
	Supports SGI CXFS file system.	Yes	Yes	Yes	Yes
	Supports BrightClip.	Yes	Yes	Yes	Yes
	Direct access to storage area network (SAN) - no need to copy images to local storage.	Yes	Yes	Yes	Yes
	Direct external drive mount to system, play, grade and render without coping to the local storage.	Yes	Yes	Yes	Yes
	Multiple suites can share the same images, EDLs and projects without compromising speed.	Yes	Yes	Yes	Yes
	Browse clips directly from the SAN in real time.	Yes	Yes	Yes	Yes
	Includes a file system speed benchmark tool.	Yes	Yes	Yes	Yes
	Includes a clip based speed benchmark tool.	Yes	Yes	Yes	Yes
	User customisable path for proxy, cache and gallery stills.	Yes	Yes	Yes	Yes

	Media File Flexibility
	Clip details window for instant view of source clip format and image type.	Yes	Yes	Yes	Yes
	Search for clips and add to Media Pool based on EDL.	Yes	Yes	Yes	Yes
	Search for sub clips and add to Media Pool based on EDL.	Yes	Yes	Yes	Yes
	Integrated clip task manager for clip conversion and copies.	Yes	Yes	Yes	Yes
	Convert non real time file formats to DPX for grading.	Yes	Yes	Yes	Yes
	Copy and manage both DPX sequences and clips.	Yes	Yes	Yes	Yes
	Copy and manage image files from near-line to online SAN storage.	Yes	Yes	Yes	Yes
	Create and delete files and folders.	Yes	Yes	Yes	Yes
	Re-name files and folders.	Yes	Yes	Yes	Yes
	Sort files in virtual folders.	Yes	Yes	Yes	Yes
	Search and re-link replacement clips to new parent directories.	Yes	Yes	Yes	Yes
	Change timecode and rewrite header.	Yes	Yes	Yes	Yes
	Soft offset of source timecode.	Yes	Yes	Yes	Yes
	Select clips for automatic replacement.	Yes	Yes	Yes	Yes
	Clip task manager status display to manage SAN I/O.	Yes	Yes	Yes	Yes

	Proxy Generation
	Integrated high quality proxy generator.	Yes	Yes	Yes	Yes
	Real time on-the-fly high quality proxy generation without disk cache.	Yes	Yes	Yes	Yes
	Pre generate proxies for grading render and output.	Yes	Yes	Yes	Yes
	All grades applied to proxy are automatically linked to the high res image.	Yes	Yes	Yes	1080HD Limit
	Proxy windows and mattes are automatically resized to the high res image.	Yes	Yes	Yes	Yes
	Proxy generation status display to manage SAN I/O.	Yes	Yes	Yes	Yes

	Render Toolset
	Render 2K dpx, HD, QT or DNxHD in real time to disk. (subject to hardware configuration)	Yes	Yes	Yes	1080HD Limit
	Render 16 bit DCI compliant TIFF files	Yes	Yes	Yes	Yes
	Preset render resolutions and file formats.	Yes	Yes	Yes	1080HD Limit
	User configurable render resolutions and frame rate.	Yes	Yes	Yes	1080HD Limit
New	Render timeline with either Auto, Video or Data level selection.	Yes	Yes	Yes	Yes
	Render the timeline, a selected range or individual clip.	Yes	Yes	Yes	Yes
	Render the current or all graded versions.	Yes	Yes	Yes	Yes
	Render files to any folder and any volume on SAN.	Yes	Yes	Yes	Yes
	Render clips with source or record timecode.	Yes	Yes	Yes	Yes
	Render clips with unique file name.	Yes	Yes	Yes	Yes
	Render clips with or without sizing.	Yes	Yes	Yes	Yes
	Render clips rendered with or without color correction.	Yes	Yes	Yes	Yes
	Render source clip with speed changes including negative speed changes.	Yes	Yes	Yes	Yes
	Render source clip with user defined handles.	Yes	Yes	Yes	Yes
	Render Cineform.mov with Cineform encoding license.	No	Yes	Yes	Yes
	Monitor the render process, speed and available storage.	Yes	Yes	Yes	Yes

	Commercial Workflow Render Toolset
	Render graded clips with commercial workflow to export to other systems.	Yes	Yes	Yes	Yes
	Render clips to differnent directories with source timecode.	Yes	Yes	Yes	Yes
	Render versions with logical timecode offsets.	Yes	Yes	Yes	Yes
	Render reels and clips with automatic folder management.	Yes	Yes	Yes	Yes
	Render folder path with version name.	Yes	Yes	Yes	Yes

	Advanced Render Toolset
	Rendered clip prefix and suffix render tags.	Yes	Yes	Yes	Yes
	Rendered file path with prefix and suffix tags.	Yes	Yes	Yes	Yes
	Render tags include: event, version, clip index, Media Pool Folder, stereo session and reel number.	Yes	Yes	Yes	Yes
	Preserve source directory level control when rendering clips.	Yes	Yes	Yes	Yes
	Batch render for multiple job processing, queue in one suite – render in another.	Yes	Yes	Yes	Yes
	Stereo mesh or each eye render selections.	Yes	Yes	Yes	No
	Selectable number of digits in the clip name.	Yes	Yes	Yes	Yes
	Selectable clip name prefix and suffix.	Yes	Yes	Yes	Yes
	Manage render speed for slow storage systems.	Yes	Yes	Yes	Yes

	Deck Ingest and Playout
	Full deck control and image monitoring.	Yes	Yes	Yes	Yes
	Real time capture and playout.	Yes	Yes	Yes	Yes
	Stereoscopic 3D image capture and playout.	Yes	Yes	Yes	No
	Batch capture and playout with user configurable handles.	Yes	Yes	Yes	Yes
	Capture directly to storage to any folder or volume as .dpx files in real time.	Yes	Yes	Yes	Yes
	Insert and Assemble edit control.	Yes	Yes	Yes	Yes
	Ingest or playout audio from separate file.	Yes	Yes	Yes	Yes
	Record to tape with source or record timecode.	Yes	Yes	Yes	Yes
	Auto jam sync timecodes for continuous recording.	Yes	Yes	Yes	Yes

	Deck Workflow
	Multi-version deliverables from a single master as each render uses source images for resize.	Yes	Yes	Yes	Yes
	Layoff deliverables to tape in source mode with user defined handles and source timecode.	Yes	Yes	Yes	Yes
	Automatically replace a single re-graded shot on tape.	Yes	Yes	Yes	Yes
	Versions of grades laid on tape in timecode order.	Yes	Yes	Yes	Yes
	Re-stripe timecode header as required.	Yes	Yes	Yes	Yes
	Auto black filler for short source clips.	Yes	Yes	Yes	Yes
	Logical offsets for easy version management.	Yes	Yes	Yes	Yes
	User selectable color space conversions from video range to data and back.	Yes	Yes	Yes	Yes
	Use crash record or managed ingest.	Yes	Yes	Yes	Yes
	Capture with or without audio and VITC.	Yes	Yes	Yes	Yes
	Supports 3:2 pull-down and pull-up.	Yes	Yes	Yes	Yes

	Supported Video Formats
	2K 1080psF 23.98 and 1080psF 24.	Yes	Yes	Yes	1080HD Limit
	2K 1556psF 23.98, 1556psF 24 and 1556psF 25.	Yes	Yes	Yes	1080HD Limit
	HD 1080psF 23.94, 1080psF 24 and 1080psF 25.	Yes	Yes	Yes	1080HD Limit
	HD 1080p 23.94, 1080p 24, 1080p 25, 1080p 29.97, 1080p 30, 1080p 50, 1080p 59.94 and 1080p 60.	Yes	Yes	Yes	Yes
	HD 1080i 50, 1080i 59.94 and 1080i 60.	Yes	Yes	Yes	Yes
	HD 720p50, 720p 59.94 and 720p 60.	Yes	Yes	Yes	Yes
	PAL 625/25.	Yes	Yes	Yes	Yes
	NTSC 525/29.97.	Yes	Yes	Yes	Yes
	All video I/O formats support 4:2:2 YUV and 4:4:4 RGB color space.	Yes	Yes	Yes	Yes
	All video RGB formats support single link 3Gb/s or dual link HD-SDI.	Yes	Yes	Yes	Yes
	Selectable application of 3:2 pulldown for 30/60Hz formats.	Yes	Yes	Yes	Yes

	Scanner Ingest
	Export capture list to scanner. (Arri format)	Yes	Yes	Yes	Yes
	Batch capture from scanner.	Yes	Yes	Yes	Yes
	Automatically name scanned images.	Yes	Yes	Yes	Yes
	Automatically sort scanned images to destination folders.	Yes	Yes	Yes	Yes

	Slate Generation
	User configurable slate generation.	Yes	Yes	Yes	Yes
	Set text, or timecodes, file names, clip names etc.	Yes	Yes	Yes	Yes
	User settings for font, size and location of burn-in.	Yes	Yes	Yes	Yes

	Safe Area and Blanking Markers
	Full safe area markers including extents, action, title and centre.	Yes	Yes	Yes	Yes
	Preset image aspect ratio markers.	Yes	Yes	Yes	Yes
	User adjustable markers.	Yes	Yes	Yes	Yes
	Save and recall multiple marker presets.	Yes	Yes	Yes	Yes

	Output Blanking Presets
	Full set of output blanking presets.	Yes	Yes	Yes	Yes
	User selectable 1.33, 1.66, 1.77, 1.85 and 2.35 aspect ratio blanking presets.	Yes	Yes	Yes	Yes
	Separate output resolution and pixel aspect ratio.	Yes	Yes	Yes	Yes

	User/Project/Session and System Control
	Individual colorist password protected login.	Yes	Yes	Yes	Yes
	Individual colorist login icons.	Yes	Yes	Yes	Yes
	User configuration parameters saved per project.	Yes	Yes	Yes	Yes
	Instantly switch between multiple preset configuration.	Yes	Yes	Yes	Yes
	Automatic backup of projects with user selectable duration between saves.	Yes	Yes	Yes	Yes
	Configure project templates including resolution, aspect ratio, bit depth and playback speed.	Yes	Yes	Yes	Yes
	Control deck I/O parameters including pre-roll and timing synchronization.	Yes	Yes	Yes	Yes
	Configure monitoring color space, format, matrix and synchronisation.	Yes	Yes	Yes	Yes
	Import projects from archive with or without stills, EDLs, LUTs and audio.	Yes	Yes	Yes	Yes
	Export projects to archive with or without stills, EDLs, LUTs and audio.	Yes	Yes	Yes	Yes

	Database Project Management
	Supports open PostgreSQL database to share users and projects.	Yes	Yes	Yes	Yes
	User add, delete and connect to new database.	Yes	Yes	Yes	Yes
	Import projects from other databases and users.	Yes	Yes	Yes	Yes
	Database Server Option to share database with multiple Resolves.	Yes	Yes	Yes	No
	Read and write project files to the external database server for concurrent project use.	Yes	Yes	Yes	No
	Use standard IT industry practice for daily backups.	Yes	Yes	Yes	Yes

	DaVinci Resolve Control Surface
	High quality control panel look and finish.	Yes	Yes	No	No
	100+ hot keys for immediate and responsive feature selection.	Yes	Yes	No	No
	Provides creative grading control with instant user feedback.	Yes	Yes	No	No
	Optical precision super smooth Lift, Gamma and Gain trackballs.	Yes	Yes	No	No
	Optical precision master rings.	Yes	Yes	No	No
	Five high resolution LCD screens with soft menus.	Yes	Yes	No	No
	30 soft keys for fast and seamless menu control.	Yes	Yes	No	No
	38 soft knobs with display for concurrent multiple trims of grades.	Yes	Yes	No	No
	Direct control of ARRI and RED camera decoder settings.	Yes	Yes	No	No
	Direct six vector curve and RGB mixer controls.	Yes	Yes	No	No
	Direct Noise Reduction controls.	Yes	Yes	No	No
	Integrated pull-out Qwerty keyboard.	Yes	Yes	No	No
	Full transport controls including Jog and Shuttle knob.	Yes	Yes	No	No
	Direct VTR transport controls.	Yes	Yes	No	No
	T-Bar for wipe control for still to grade comparison.	Yes	Yes	No	No
	Customizable panel display and key brightness settings saved per project.	Yes	Yes	No	No
	Customizable panel key color settings saved per project.	Yes	Yes	No	No
	Trackball and knob sensitivity settings saved per project.	Yes	Yes	No	No
	Fourth trackball for cursor and window positioning.	Yes	Yes	No	No
	Direct key selection of memories.	Yes	Yes	No	No
	One key to grab stills.	Yes	Yes	No	No
	One key to play stills.	Yes	Yes	No	No
	Powerful shift up and shift down qualifier keys.	Yes	Yes	No	No
	Separate left and right panel allow user configuration.	Yes	Yes	No	No
	DaVinci Resolve Control Surface connects by simple USB 2 cable. Supports USB extenders.	Yes	Yes	No	No